Artist Mahsa Biglow created a visual interpretation of a theatrical poem embedded in the first part (101 Nights) of Whym's DREAMSCAPES I: BETRAYALS, bringing its four distinct characters to life through color, ambiance, and abstract imagery. Each of the four is represented by a unique palette and mood, with layered footage and images deepening their emotional presence. Unfolding as a complex narrative, the poem is performed by four voices accompanied by a jazz quartet.

Following the première of Prism at Barzakh Café, artist Mahsa Biglow notes how she transposed the text and music of Sara Whym and Rambert Caron’s Quartet, blending the figurative with abstraction and color to convey both the distinctiveness and interaction of its four characters’ voices.